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We, the People – 30 Years of Art and Democracy in South Africa

R850,00

What does South Africa look like 30 years after its first democratic election? We, the People bring together 70 contemporary artists and over 100 works that actively engage, challenge, and reimagine our political life.

 

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What does South Africa look like 30 years after its first democratic election? We, the People bring together 70 contemporary artists and over 100 works that actively engage, challenge, and reimagine our political life.Democracy is not something we have and own, it is something we need to do continuously —  participating, connecting, sharing responsibility and shaping community together. Since 1994, South Africa has faced profound social, political and economic challenges, but the country has remained resilient, sustained by civil society organisations, community-based movements, and media that continues to scrutinise power.

The artworks gathered here operate as democracy at work. Organised around four themes – To belong, To protest, To care, and To be heard – these works challenge traditional visual systems, amplify marginalised voices and expand the landscape of our collective experience. They invite us not merely to observe, but to engage deeply in an effort to bridge South Africa’s historical divides.

This book is an invaluable historical and cultural testament to 30 years of South African democracy, and the vibrant and varied art and voices that shaped it.

Liese Van Der Watt is a South African art historian working between London and Cape Town. After completing a PhD in New York as a Fulbright scholar in 2002, she returned to the University of Cape Town to lecture in African art history and -theory. In 2007 she relocated to London and has been a freelance writer and curator ever since.   She is the author of numerous catalogue essays, and her articles and art criticism have appeared in edited volumes and publications such as African Arts, Nka, and Contemporary &. Her curatorial practice continues to champion African artists and is positioned firmly in the 'South' – defined as politics, not geography. Recent projects include Having but little gold, a retrospective of Berni Searle (2023), and We the People: 30 Years of Democracy in South Africa (2024-2025), both at Norval Foundation.
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